Color-Blind Casting Triumphs
The director of Wolf Hall: The Mirror and the Light, Peter Kosminsky, has defended the show’s color-blind casting approach, emphasizing the importance of embodying a character’s essence rather than a physical resemblance to historical figures. Unlike the first series in 2015, the latest installment of the BBC drama — based on the late Hilary Mantel’s acclaimed trilogy — features a diverse cast, with actors of various ethnic backgrounds taking on key Tudor roles.
“There are a number of parts played by people of color, and this is not something we did in the first series. I’m delighted we’ve been able to do it,” Kosminsky noted.
The decision to expand the casting vision was partly inspired by Mantel, who had long championed the approach. Kosminsky explained that Mantel herself was fully supportive of diversifying the cast, as the goal was to capture each character’s core rather than rely on lookalikes. He cited actors like Damian Lewis as Henry VIII and Jonathan Pryce as Cardinal Wolsey, chosen for their ability to convey the character’s spirit, not necessarily a close physical resemblance.
Producer Colin Callender echoed Kosminsky’s sentiment, acknowledging that the cultural landscape has shifted significantly since the first series aired. He said, “The industry, the audience, and society’s awareness have all changed, making diverse casting a meaningful and timely decision.” Callender emphasized that Mantel’s endorsement added an extra layer of confidence to take this inclusive approach.
The move reflects a broader trend across the entertainment industry, where casting decisions increasingly prioritize talent and depth over exact historical likeness, inviting audiences to connect with characters on a more profound level.
